The cinema of Koldo Almandoz: free cinema where suggestion is the central theme
DOI:
https://doi.org/10.26876/uztaro.86.2013.5Keywords:
Short films · Intrigue · Genre hybridisation · SuggestionAbstract
Koldo Almandoz is one of the most significant filmmakers to have emerged in Basque cinema in recent years. The main purpose of this article is to uncover the keys to his suggestive filmmaking. Taking as a basis the short films that brought him international recognition —Razielen itzulera (1997), Belarra (2002), Amuak (2004), Midori (2006), Columba Palumbus (2007), Ahate pasa (2009) and Deus et machina (2012)— the aim is to reveal with rigour and precision the subjects, story lines and aesthetic proposals that predominate in his work. His cinema is open to free interpretation and its main axes are genre hybridisation, narrative experimentation and the primacy of the image.Downloads
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Copyright (c) 2013 Uztaro
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
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Published
2013-09-06
How to Cite
Lazkano Arrillaga, I., Zubiaur Gorozika, N. E., & Fernandez de Arroyabe Olaortua, A. (2013). The cinema of Koldo Almandoz: free cinema where suggestion is the central theme. Uztaro. Giza Eta Gizarte-Zientzien Aldizkaria, (86), 149–166. https://doi.org/10.26876/uztaro.86.2013.5
