Trikitixaren hautemate-bideak euskal herri-kulturan errotze-prozesuan (1889-1937): iruditeria kolektiboaren azterketa historikoa

Abstract

The new Basque nationalism between the 19th and 20th centuries, driven by the need to define the elements it considered its own, attempted to name the trikitixa, which had recently arrived in the Basque Country, as foreign and non-Basque. Through the content analysis of 16 biographical books, the article examines the image formed around the trikitixa during that process of rooting. It aims to understand how the musical instrument was perceived and to demonstrate that, although it came from outside, it became fully integrated into Basque popular culture.