Sentsorialtasuna eta eszenografia tenplu barrokoan. Madrilgo San Isidroren kaperaren kasua

Abstract

The present work consists in the analysis of the baroque catholic temple as a space for the deployment of the senses of the faithful, focusing on the sensory and scenographic value of the religious art and architecture of the 17th century. For this purpose, the multisensory resources in festivities celebrated in the town will also be analysed; in this case, the ones which were at San Isidro’s canonization festivities. This proposal starts from the need to apply a methodology scarcely undertaken until recent years in Spanish historiography, which transcends the analysis of the merely material, in order to contemplate art, architecture and festivities from the emotional impact caused in the receiver.